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Blend of indie folk, indie rock, and singer-songwriter styles.
The music features mellow acoustic guitars, introspective lyrics, and a reflective tone. It has a calm, almost intimate vibe with occasional crescendos that introduce emotional depth. His sound often brings to mind artists like Sufjan Stevens or Bon Iver, with a focus on thoughtful melodies and emotionally charged songwriting.
The album itself is full of storytelling, with themes of personal growth, relationships, and vulnerability. There’s an understated warmth and honesty to the music that invites listeners into his world, hence the "kind invitation" in the title. It's the kind of album that feels like a quiet conversation, offering insight and connection through gentle, atmospheric music.
In 2013, singer/songwriter Tyson Motsenbocker walked up the California coast -- a nearly 600-mile trek that spanned 40 days -- in memory of his mother, who had recently passed away. When he arrived in San Francisco, he'd observed and processed enough for his debut album. Years before, in 2010, Motsenbocker released his first EP, Until It Lands, a delicate lo-fi collection that revealed a heart-rending vulnerability, a knack for storytelling, and a vocal purity akin to Sufjan Stevens, Conor Oberst, and Ben Gibbard. After the release of his follow-up EP, Rivers and Roads, he lost his mother. On his journey, he rediscovered his spirituality and found some peace, all of which he poured into what would become his debut LP, Letters to Lost Loves (Tooth & Nail). With plaintive piano, spacious atmosphere, and pastoral guitar to support his reflective and melancholy lyrics, Motsenbocker paired his bittersweet music with a collection of short stories released in conjunction with the album, which was set for release in March 2016.
1 | Don't Be Late | 3:53 | |
2 | Talk All Night For Nothing | 3:53 | |
3 | A Kind Invitation | 4:33 | |
4 | Something In The Way | 4:02 |
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